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Meet The GHO Team

Composer

Christopher Wood

Christopher Wood

Christopher Wood was born in Stoke-on-Trent. While still at school he co-founded The Blythe Spirits, a group that played on the working men’s clubs circuit in The Potteries in the “Beat Boom” years of the mid 60s. This developed an interest in songwriting and later, instrumental composition and led to private lessons with Neil Wade in Manchester. He then studied composition as a Gasthörer (guest student) at the Musikhochschule, in Graz, Austria, where he studied in the Jazz Abteilung with Dieter Glawischnig and with classical composer Waldemar Bloch. After returning to the UK in 1976 he moved to Sutton, south London where he continued private lessons with jazz composer Herman Wilson. He wrote and arranged for Guest House, his own ten-piece, jazz-influenced ensemble, from 1978-81; his first published pieces were his Quartet for Brass (1977); the jazz ballad Sad Old Sunday (1982) and Fragments from a Shattered Dream for brass…

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Soloists

Il Cantagiro - Tonia Szkurhan

Tonia Szkurhan

Canadian singer Tonia Szkurhan has sung a second song penned by Chris Wood on camera at the Il…

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Akiko Enomoto

Award-winning mezzo-soprano, Akiko Enomoto studied under Prof Ryosuke Hatanaka. After graduation from the Kunitachi College of Music in…

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Maggie Cooper - Guest House Opera

Margaret Cooper

Margaret Cooper (soprano) is a graduate of the Guildhall School of Music and Drama where she studied as…

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Lynn-Marie-Boudreau

Lynn Marie Boudreau

British-born Canadian soprano Lynn Marie Boudreau studied in Toronto at York University, The Royal Conservatory of Music and…

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Timothy Tomkins

Timothy Tomkins

Timothy Tomkins (bass/baritone) hails from Shropshire and is a graduate in Theology & Religious Studies at Leeds University.It…

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Randolph Grant Nichol

Canadian tenor Randolph Grant Nichol graduated from Ryerson University, Toronto, before going on to study at the Manhattan…

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Frances Denney

Frances Denney

Soprano Frances Denney comes from Oakham in Rutland. She has been part of the Stamford Shakespeare Company -…

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paddy

Paddy Cockshutt

Paddy Cockshutt (tenor/high baritone) is a graduate of Surrey University, where he studied conducting with Richard Stangroom. His…

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Spiro Fernando

After completing his Masters in Philosophy at the LSE, bass/baritone Spiro Fernando decided to pursue his love of…

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rbowden

Rhys Bowden

Born in London, tenor Rhys Bowden studied for a degree in music at Girton College, Cambridge. Subsequently, he…

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Carolyn Burnley

Carolyn Burnley (mezzo soprano) started her musical life as an instrumentalist winning a scholarship to Trinity College of…

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Jean Picton-Bentley

Jean Picton-Bentley

Jean has been a part of the GHO team from the beginning. She was in the cast when…

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Musicians

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John Collis

John studied music at the University of Reading. In London, he has been an accompanist…

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Christina Ward

Carshalton Beeches-based pianist Christina Ward began her career as accompanist to the London Philharmonic Choir…

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Jo Cockshutt

Jo began piano and violin lessons at a very early age and enjoyed singing in…

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Lost in Life

Lost in Life (dedicated to those who died on September 11) was the most moving piece in the concert. You exactly hit the mood of the time. Congratulations!

John Austin
Fine Arts Sinfonia

Conversation Piece

Great care and thought had obviously gone into the highly atmospheric Conversation Piece by Christopher Wood. The oboe’s announcement of the legato opening subject was well molded, controlled and serious, setting the tone for a warm dialogue with expressive strings. Fluctuations of tempo sounded natural and inevitable and silence was dramatically effective, the parlando musical argument always clear, played with ravishing sound quality. An original twist concluded the dialogue, ensuring an unusual ending to a lovely piece.

Ruth Goslett
Croydon Advertiser

String Quartet

Lovely string playing made the String Quartet by Christopher Wood a joy to hear. Its lyrical opening, with the musical argument effortlessly and eloquently passing from viola, violins and cello, was deeply felt. Pauses were atmospheric and contrapuntal writing cleverly handled. Rhythm was taught and well-sprung in the contrasting middle section and the ending was ethereal.

Ruth Goslett
Croydon Advertiser

Carter in Crisis

Tinged with a deep autumnal melancholy, it tells of an ageing man’s obsession with the bust of a beautiful young Adonis. I found myself mulling over its meaning long after Carter’s valedictory cri de coeur had been sounded.

Donald Madgwick
Croydon Advertiser
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Any singers interested in joining GHO should contact Paddy Cockshutt on 078908 18508

Chris Wood on 077 905 143 77
or 020 8715 4436

Orchestral players should email: newtowncom@gmail.com